The pillage of the Ma’adi museum, part II
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Part II : The museum robbery |
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THE MA’ADI AFFAIR, INVESTIGATION IN
THE THEFT AND TRAFFICKING OF OBJECTS FROM THE MA’ADI
MUSEUM |
The theft
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Everything began one night in 2003, when the Ma’adi
museum and its excavation storehouses, on the edges of
the site itself, were broken into. Our initial
investigation revealed that at least seventy objects
were stolen at this time, but a second investigation
revealed that at least four hundred objects disappeared.
Despite the seriousness of the archaeological plundering,
no echo ran through the press at the time of the theft.
The police investigation started and floundered just as
quickly. Kamel, the museum security guard that was
sleeping nearby, is the only potential witness that the
Egyptian police seems interested in talking to. The
local authorities are far from imagining that the stolen
objects are already far away, flooding onto European and
North-American art markets.
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The first sales go
unnoticed
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Only a few months after the break-ins, the objects start
appear with art-dealers and auction houses. On 8 June
2004, a hat-shaped vase, one of the three found at
Ma’adi, was sold for 6,573USD at Christie’s New York.
The vase is sold with fake credentials: « collection J.
Garnish, acquired in Egypt in the 1930’s ». The sales
catalogue, which had been read by conservators from the
Louvre, the British Museum and Metropolitan Museum – to
name the most well known – did not raise questions from
a single Egyptologist. Other vases stolen at Ma’adi must
already be up for sale by art dealers. No mention is yet
made of Ma’adi.
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Figure 11 : Stone vase from Ma’adi
proposed at Christies of New York
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Ma’adi vases sold by a
London auction house
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The inquiry starts on 29 October, 2004, the day after a
major London archaeology sale While traveling in Munich,
I discover, incredulous, that the content of a London
sale includes pre-dynastic objects that are part of the
Ma’adi university museum holdings. These objects had
been sold the night before on the auction block. The
Ma’adi scandal had begun.
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Figure 12 : Ma’adi vases for sale at
Bonhams in London, 2004. Last row, photos by Luc Watrin,
1996.
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The catalog from Bonhams, the third most auction house
in England after Christie’s and Sotheby’s, proposed for
sale on its 28 October 2004 sale five pre-dynastic stone
and two pre-dynastic ceramic vases. It is an atypical
set, made up of three medium-sized restored basalt
vases, a green calcite vase, a limestone ringbase vase
and two black potteries and one red pottery. Despite
credentials identical to the one used by the vase sold
by Christie’s in June 2004, indicating longstanding
private ownership, it was clear where they came from: we
had seen these vases recently in the cases of the Ma’adi
museum!
Apparently, the auction house was itself victim of false
information, because its catalog proudly indicated in
its complete references “Excavated at Ma’adi”, and even
puts up for sale a part of the excavation report! In
digging through my archives, I found photographs of
these same objects, which I took at the museum in 1996
and 1999: these are proofs that the vases sold by
Bonhams were stolen at the Ma’adi museum. Among these
vases is a small jug that is unique in its type that O.
Menghin and M. Amer had interpreted at their finding as
a worship object.
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Bonhams
in reverse
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After the sale, the GREPAL sent a letter to Bonhams
informing it that the auction that it had organized
included objects stolen from the Ma’adi museum. This
letter advised Bonhams to freeze the handing over of the
identified pieces, and to contact Scotland Yard
immediately, as well as the Egyptian authorities at the
consulate in London and the S.C.A. in Egypt.
For Bonhams, there is no doubt, the seller of this
archaeological material (whose name is withheld) is
honest. The collection is presented as a private
collection sold in the 1930’s to Joseph Garnish, date at
which selling of antiquities was still legal in Egypt,
to an engineer on duty in the Cairo region. It was then
supposedly kept by the family and transmitted in 2003 to
the grandson, Edward Johnson, before being acquired by
the person who presented the objects to Bonhams.
Despite our warnings, the Bonhams auction house, still
convinced of the good faith of the seller, informed us
of a surprising fact: it affirms that the catalog
listing all the objects had been circulating for several
months before the sale in the great museums of the
world, including the Metropolitan Museum and the British
Museum, and that none of them had complained about the
sale of the objects.
My inquiry focused on the break-in in the museum, and I
suddenly discover that there is no echo of the theft in
the press, and that no complaint by the Egyptian
government had been filed with Interpol. It is likely
that high-level connivances had attempted to silence
such a serious affair. In his small office at the
University of Cairo, the ex-director of Antiquities,
Mister Gaballah ‘Ali Gaballah, responsible for the
Ma’adi site since 2002, seems surprised and curiously
embarrassed by our information. He confirms the
break-in, while declaring that “it’s not a state secret
[…], that the local press mentioned it at that period,
and that 70 major archaeological objects had been stolen”.
Meanwhile, Bonhams contacted the Egyptian authorities
and gave them a delay in order to prove that the objects
it had sold were stolen. The Egyptians furnished
documents drafted in Arabic, without any photo. Bonhams
was about to hand over the objects to its customers…but
the photographs that I’d taken in the Ma’adi museum and
that I presented to Bonhams saved the priceless
treasures of Egyptian pre-history at the last moment.
Just like Bonhams, Christie’s New York opens a procedure
to return objects to the Egyptians. The seven objects
from Bonhams and the hat-shaped vase from Christie’s are
thus sent back to Egypt. But those are just a small
portion of the stolen collections, and the investigation
had just begun.
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The Ma’adi objects are sold
off on the internet
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After the sales in the
two major auction houses, I conducted further research,
and discovered at the end of 2004 a set of objects
stolen from Ma’adi with four North-American antique
dealers: 22 objects had been put up for sale online on
the website of these dealers! . Among the objects
identified on the web are 19 potteries, 2 stone vases,
and a spindle. Once again, the mention “ex-Johnson
Family Collection” are the credentials of these
pieces which also indicate “Excavated at the
Predynastic Site of Ma’adi”.
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Ma’adi jars sold in New York
by Howard Nowes
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The first batch of Ma’adi objects identified on the web
is proposed by the Howard Nowes Ancient Art gallery, in
New York. They are two potteries, around 18-cm high, and
representative of the most common Ma’adi productions.
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Figure 13 : Jars stolen from Ma’adi on
sale at the site of Howard Noves, 2004 (© Howard Noves)
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Ma’adi jars sold in the
United States at Janus
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Two other jars are then identified on the internet site
of the Janus gallery in the United States. They can only
have come from the storage depository at Ma’adi located
next to the museum of the Ma’adi site. Their inventory
numbers, that they still bear, corresponds to an
archaeological object that had always been conserved in
Ma’adi museum or in its reserves.
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Figure 14 : Jars stolen from
Ma’adi sold on the site of Janus, USA 2004 (© Janus)
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Ma’adi jar sold in
Canada at Wallis
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The Canadian antiquities gallery proposes on its
website an oval ring-base jar. The clay ring that
supports the foot of this jar is characteristic of
Ma’adi pottery since nearly half of the utility
vases from the site have one. The auction house
indicates that a number is inscribed on the foot of
the jar, and this reference corresponds to the
inventory numbers of this type of jar – around
thirty – discovered during the first excavation
campaign at Ma’adi in 1930-31.
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Figure 15 : Ring-base jar sold on
the site of Wallis, Canada, 2004 (© Wallis)
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Potteries, stone vases, and spindle from Ma’adi
on sale in Michigan at Orpheus
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Orpheus is by far the richest gallery in stolen
Ma’adi objects, since its website presents an
avalanche of 17 stolen objects! Ceramics unique to
Lower-Egyptian Chalcolithic are presented as vulgar
potteries, photographed next to a soda can for scale.
Insult to the Egyptian heritage is even more
flagrant in the description of a hemispheric
ring-base jar – unique in its type – presented as a
“poppy flower shaped jar”. Objects of the greatest
scientific interest have become, like tins of
sardines, simple trade goods, and the
interpretations made by Orpheus combine incompetence
and dishonesty, just like when they present a
spindle as a pear-shaped ceremonial mace-head…
The thoughtlessness of the merchant even allowed us
to recover proof of the fraudulent origin of the
objects. He published on his website photos of the
inventory numbers etched onto the vases. For another
small jar with no rim, the merchant didn’t hesitate
to include a photo of the excavation label contained
in the jar, indicating its location where excavated:
“square LVII, under the earth”!
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Figure 16:
Palestinian jar of importation.
At left, photo of Orpheus, 2004, at right, photo of Luc Watrin, 1999 (Ma'adi)
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Figure 17: Objects for sale, with
the well-known pear-shaped ceremonial mace-head (© Orpheus,
2004)
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Figure 18 : Upper left, photo of
L. W., Ma'adi, 1996, front of the same object,
Orpheus, 2004. In the middle, photo of L. W., Ma'adi,
1996, top of the same objects, Orpheus, 2004.
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What proofs are there of
trafficking of Ma’adi objects?
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Two types of proofs can be advanced in establishing
that the pieces sold by the auction houses and the
merchant websites were stolen from the Ma’adi museum.
The first proof is the inventory number that
appeared on about half the vases, and which was not
erased, making it possible to find their publication
and proving their presence in the museum or in the
storage depositories before the break-in of 2003.
The second proof is more visual, being photographs
of the objects taken directly in the Ma’adi museum
recently. Using these documents, the objects from
Ma’adi can be saved from dispersion.
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WHERE
IS THE AFFAIR TODAY?
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The sales, at just four months interval, of eight
key objects from the Ma’adi collection, organized by
Bonhams in London and Christie’s in New York, then
the online sale of twenty-two other objects with the
same fake credentials, is a scandal for archaeology
and an attack on the Egyptian heritage. These
objects belong, with no compromise, to the site of
Ma’adi whose museum and storage depositories were
plundered by criminals in 2003. These treasures of
Egyptian pre-history mustn’t be sold nor bartered!
The legal investigation which has just begun will be
bitter (if the local authorities feel like they are
concerned…), because the fake credentials invented
to launder the objects, the same every time, proves
that a single individual is behind all the
trafficking. Moreover, the number of objects stolen
and their great fragility necessitate a widescale
operation, carefully organized with individual
packing for each object. Will high-level local
complicities be uncovered? Is there a bad apple
among those responsible for protecting the objects?
To-date, thanks to investigations pushed by the
GREPAL, a small portion of the objects stolen from
the museum have been found. That is a good start.
But other, more valuable pieces, particularly the
basalt vases, are still circulating, hidden, in the
West thirsty for antique relics. A complete dossier
on the Ma’adi affair has been transmitted to the
S.C.A. in Cairo, and in particular to its current
director, Mr. Zahi Hawass. We can only hope that
investigations continue for the purpose of the
protection, the preservation, and the valorization
of the Egyptian heritage. The Director of
Antiquities, M. Zahi Hawass, and the Director for
Lower-Egypt, M. Mohammad Abd-el-Maksoud, have taken
personal interest in this affair and can count on
the assistance of the GREPAL to coordinate all
information relating to this dossier. A positive
reaction by the merchants, having recognized the
fake credentials of their objects, lets us hope that
some rare objects from pre-history will be returned
to their museum.
Tracking objects stolen from Ma’adi is thus a noble
mission. They are not random objects made in series,
but are unique objects that are the last testimony
of a brilliant civilization which was the first in
Africa to have transformed copper and built stone
edifices, thanks to its close exchanges with its
Palestinian neighbors. Ma’adi was the economic
capital of Lower-Egypt around 3850-3625 B.C., a
major production center for fine basalt vases and a
unique emporium at the commercial crossroads leading
from Upper-Egypt to the Levant. In that light, its
archaeological remains are as fundamental for
understanding this period as are the objects from
Tutankhamon’s tomb for the 18th dynasty.
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Ibrahim Rizkana in front of the Ma'adi museum, 1995 |
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"Sciences et avenir", publish in
February, 2005 |
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